Zohra segal biography
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Zohra Sehgal Biography: Birth, Age, Death, Family, Career, Films, Recognitions, Google Doodle and More
Indian actress, dancer and choreographer Zohra Sehgal got featured on Google klottra today. She was paid a special tribute bygd the search engine as on this day in the year 1946, her film 'Neech Nagar' won the Palme d'Or Prize at the Cannes bio Festival. Let us know more about the legendary actress below.
Zohra Sehgal: Early Life, Birth and Education
Zohra Sehgal was born on April 27, 1912, in Uttar Pradesh's Sharanpur as Sahibzaadi Begum Zohra Mumtazullah Khan. She was the third child of the seven children and was brought up in a traditional Muslim family.
She was admitted to Queen Mary College, Lahore where strict purdah was observed. dock were allowed to give guest lectures and seminars from behind the screen. After her graduation, Zohra moved to Europe. Her aunt in Europe encouraged her to join Mary Wigman's ballet school in Germany. She passed the entrance exam
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Zohra Sehgal
Zohra Begum Mumtaz-ullah Khan (Sahibzadi Zohra Begum Mumtaz-ullah Khan; 27 April 1912 – 10 July 2014), was better known by her stage nameZohra Sehgal. She was an Indian actress and choreographer. Sehgal started her career as dancer with Uday Shankar in 1935. She also worked with him for the next eight years.
She has been in many Bollywoodmovies as a character actor. She has also been in English language movies and television shows. She has appeared in Bhaji on the Beach (1992), The Mystic Masseur (2001), Bend It Like Beckham (2002), Dil Se.. (1998) and Cheeni Kum (2007), The Jewel in the Crown (1984), Tandoori Nights (1985–87), Amma and Family (1996). She retired in 2007.
Sehgal was born in Rampur, Uttar Pradesh in 1912.[1] She grew up in an aristocraticMuslim family.[2] She received the Padma Vibhushan, India's second-highest civilian honor, in 2010.[3] She described herself as an agnostic, having
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How Zohra Segal, 48-year-old mother of two, reinvented herself in London
Kameshwar died in 1959, Prithvi Theatres closed down, and Zohra stopped acting. For three years she lived in a kind of suspended animation, bereft of all the resources, relationships and activities that had sustained her. Kameshwar’s death, the more or less simultaneous closure of Prithvi Theatres and Uzra’s final departure for Pakistan marked the kind of turning point in her life from which there would be no going back.
A subtle transformation was taking place within her – she realised that the only skills she had were dancing and acting, and that, thus far, she had simply, and conveniently, attached herself first to one celebrated artiste and then another, ‘basking in their glory’. She was on her own now, single, the sole breadwinner, not just for the time being but for the foreseeable future. And she was forty-eight years old, with two very young children to look after. A stock-taking was necessary.