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  • A catalogue record for this book is available from the British Library.

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    Raising concerns about the Sepsis-3 definitions

    • Review
    • Open access
    • Published:
    • Massimo Sartelli1,
    • Yoram Kluger2,
    • Luca Ansaloni3,
    • Timothy C. Hardcastle4,75,
    • Jordi Rello5,
    • Richard R. Watkins6,7,
    • Matteo Bassetti8,
    • Eleni Giamarellou9,
    • Federico Coccolini3,
    • Fikri M. Abu-Zidan10,
    • Abdulrashid K. Adesunkanmi11,
    • Goran Augustin12,
    • Gian L. Baiocchi13,
    • Miklosh Bala14,
    • Oussema Baraket15,
    • Marcelo A. Beltran16,
    • Asri Che Jusoh17,
    • Zaza Demetrashvili18,
    • Belinda De Simone19,
    • Hamilton P. de Souza20,
    • Yunfeng Cui21,
    • R. Justin Davies22,
    • Sameer Dhingra23,
    • Jose J. Diaz24,
    • Salomone Di Saverio22,
    • Agron Dogjani25,
    • Mutasim M. Elmangory26,
    • Mushira A. Enani27,
    • Paula Ferrada28,
    • Gustavo P. Fraga29,
    • Sabrina Frattima30,
    • Wagih Ghnnam31,
    • Carlos A. Gomes32,
    • Souha S. Kanj33,
    • Aleksandar Karamarkovic34,
    • Jakub Kenig35,
    • Faryal Khamis36,
    • Vladimir Khokha37,
    • Kaoru Koike3
    • romina sotto biography definition

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      Sharon Cuneta

      Filipino actress, singer, and television personality (born 1966)

      In this Philippine name for married women, the birth middle name or maternal family name is Gamboa, the birth surname or paternal family name is Cuneta, and the marital name is Pangilinan.

      Sharon Gamboa Cuneta-Pangilinan (born January 6, 1966) is a Filipino actress, singer, and television personality. Prolific in multiple fields of entertainment, she is known for playing dramatic and comedic leading roles in film and television. Her accolades include three FAMAS Awards, a Gawad Urian Award, nineteen Box Office Entertainment Awards, three PMPC Star Awards for Movies and two Luna Awards.

      Referred to as the "Megastar", Cuneta began her career as a recording artist with the release of the 1978 single "Tawag ng Pag-ibig" under Vicor Music Corp. She rose to prominence following the success of "Mr. DJ", composed by Rey Valera.[1] With record sales exceeding a million in the Philippi

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      22. Truth, Autobiography and the Poetry of Salvation

      1Many of the ‘vertical readers’ who have come before me have examined the reasons that make the experiment of a complete vertical reading of the Commedia compelling, while also remarking on the care with which this critical exercise must be approached. Without adding to the valid reflections that have already been offered on these methodological issues, I will concentrate on the three twenty-second cantos, which are of extraordinary interest. Reading them vertically will allow us to identify particular trajectories of meaning that are developed throughout the three canticles.

      2The first element common to all three is the close relationship that each twenty-second canto has with the preceding canto, the twenty-first. In fact, the critical tradition assigns to cantos xxi and xxii the classification of closely connected canto pairs. Inferno xxi and xxii are both dedicated to the bolgia of the barrators, the fifth in th