Film ciociaria con sofia loren biography

  • Sophia loren
  • Ciociara pronunciation
  • Two women'' actress
  • Two Women

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    Two Women

    1960 film by Vittorio De Sica

    This article is about the 1960 Italian film. For other uses, see Two Women (disambiguation).

    Two Women (Italian: La ciociara[latʃoˈtʃaːra], rough literal translation "The Woman from Ciociaria") is a 1960 wardrama film directed by Vittorio De Sica from a screenplay he co-wrote with Cesare Zavattini, based on the 1957 novel of the same name by Alberto Moravia. The film stars Sophia Loren, Jean-Paul Belmondo, Eleonora Brown and Raf Vallone. It tells the story of a woman trying to protect her young daughter from the horrors of war. The story is fictional but based on actual events of 1944 in Rome and rural Lazio, during the Marocchinate.[4]

    Loren's performance received critical acclaim, earning her an Academy Award for Best Actress, among other accolades.

    Plot

    [edit]

    Cesira (Loren) is a widowed shopkeeper, raising her devoutly religious twelve-year-old daughter, Rosetta (Brown), in Rome during World War II. Foll

    To read this post in Italian, please visit the Matta Blog. Click here.

    La Ciociara (in English: Two Women) is a film starring Sophia Loren. I’ve been hosting a film festival of Sophia Loren’s film recently and I began with this one which is one of my all-time favorites. The film is a revelatory moment in Sophia Loren’s career. It is a powerful film directed by Vittorio de Sica in which she plays Cesira, a widow trying to protect her thirteen-year-old daughter, Rosetta from the horrors of war during the allied invasion of Italy. For her poignant performance, Sophia won an Oscar.

    Sophia is amazing in this film. She easily plays so many emotions. She beautifully shows us pride, desperation, fear, passion, anger, fury, happiness, grief, sorrow, worries, and above all, love. From a simple heartfelt exclamation “Oh!” to her expressive hand gestures, or the way she caresses her child, it seems she is not acting at all. Rather it is as though she has become the chara

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