Yadi sugandi biography template

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  • Nearly twenty years after the last film perjuangan, a new struggle film was released in 2009: Yadi Sugandi's Merah Putih [Red and White].
  • The Eye depot contains Merah Putih (2009) by Yadi Sugandi, the first film in the Merdeka trilogy (2009-2011).

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    Bib ID:
    6390023
    Format:
    Video
    Description:
    • [Jakarta] : Salto Film Production, 2011
    • 1 videodisc (DVD) : colour ; 4 3/4 in.
    Summary:

    A dramatic love story set against the darkest period of Indonesian history in the mid 1960s. Rasus, a young military officer, travels from village to village, looking for his lost love, Srintil. A communist politician takes advantage of politically naive Srintil and uses her as entertainment in his political campaign. It is now up to Rasus to find his love and save her life.

    Credits:
    Director, Ifa Isfansyah ; screenwriters, Salman Aristo, Ifa Isfansyah, Shanty Harmayn ; producer, Shanti Harmayn ; editor, Cesa David Luckmansyah ; director of photography, Yadi Sugandi ; art director, Eros Eflin ; music directors, Aksan Sjuman, Titi Sjuman.
    Performer:
    Prisia Nasution, Nyoman Oka Antara, Dewi Irawan, Slamet Rahardjo.
    Notes:
    • Inspired by trilogy Ronggeng Dukuh Paruk written by Ahmad Tohari
    • In Indonesian, with avai
    • yadi sugandi biography template

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      ‘The East’ in a transnational context: The Indonesian War of Independence in film

      On the 13th of August 2021, four days before Indonesia celebrated its 76th year of independence, Jim Taihuttu’s De Oost [henceforth The East] was released worldwide. This new Dutch film about the Indonesian War of Independence (1945-1949) follows the war volunteer Johan de Vries (Martijn Lakemeier) as he arrives in Indonesia and joins a special forces unit led by “The Turk” (Marwan Kenzari), the historical and controversial figure Captain Raymond Westerling. Even before its release the film was disputed (predominantly by veterans and their descendants) and questioned for its veracity, as Westerling and his men used intimidation, violence and terror in a process that Westerling described as “pacifying the Celebes”. The international trailer summarises it as follows: “At the end of WWII, The Dutch sent troops into Indonesia. Their mission was to crush a rebellion and re

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      Film perjuangan: portraying the struggle for independence

      Culture of popular memory

      A culture of popular memory exists in Indonesia concerning the Indonesian War of Independence: this fryst vatten made up (among other things) of films, ‘historical re-enactments’, music, fashion, cartoons, literature and (computer) games. This Indonesian popular culture is an almost untapped source of information on how the violent end of the colonial era is seen today. It acts as a cultural archive in the sense of a ‘place where memories are stored’. This can best be illustrated by the idea that the Indonesian War of Independence should be seen as an empty canvas on which people constantly project their interests and aspirations. In this way, ‘the idea’ of the Indonesian nation is still being created through the ongoing telling of the stories and myths of its birth, for example in war films.

      Film perjuangan cover many genres and perspectives, from films full of spectacular combat to scenes of romance. The